Myrtle has the most classic vintage styling of any of these mics, with a design pedigree straight from the 1930s. Her sound, however, is a wonder of modern acoustic design that thrives in current stage environments. She takes the warm, detailed sound and astonishing feedback rejection of Edwina, and adds a low end tuned for accurately capturing acoustic instruments from any distance. Her sweet spot extends from 6 inches out. And she has the low noise and natural clarity to work wonderfully in the studio as well. Includes foam padded metal case!
Hand-made microphone with unique appearance
Internal shock dampers for minimal handling noise
Integral silk and mesh pop filter, for effective control of plosives without loss of clarity
Transformerless FET fully balanced electronics
Highest quality hand-wired electronic components - film caps, precision resistors, hand tested and matched transistors, with component values tuned for the individual circuit.
Ideal for single-micing soloists or small acoustic ensembles, including acoustic instruments and multiple vocalists, on stage or in studio.
Brandi Carlile, The Wood Brothers, Christopher Paul Stelling, Rob Ickes & Trey Hensley, Wood and Wire